A
miscellany is a collection of various pieces of writing by different authors. Meaning a mixture, medley, or assortment, a can include pieces on many subjects and in a variety of different
forms. In contrast to
anthologies, whose aim is to give a
selective and
canonical view of literature, miscellanies were produced for the entertainment of a contemporary audience and so instead emphasise
collectiveness and
popularity. Laura Mandell and Rita Raley state:
Manuscript miscellanies are important in the
Middle Ages, and are the sources for most surviving shorter medieval vernacular poetry. Medieval miscellanies often include completely different types of text, mixing poetry with legal documents, recipes, music, medical and devotional literature and other types of text, and in medieval contexts a mixture of types of text is often taken as a necessary condition for describing a manuscript as a miscellany. They may have been written as a collection, or represent manuscripts of different origins that were later bound together for convenience. In the
early modern period miscellanies remained significant in a more restricted literary context, both in manuscript and printed forms, mainly as a vehicle for collections of shorter pieces of poetry, but also other works. Their numbers increased until their peak of importance in the
18th century, when over 1000 English poetry miscellanies were published, before the rise of anthologies in the early 19th century. The printed miscellany gradually morphed into the format of the regularly published
magazine, and many early magazines used the word in their titles.