"Whether as Aditi, or the
divine Sophia of the Greek Gnostics, she is the mother of the seven sons: the 'Angels of the Face,' of the 'Deep,' or the 'Great Green One' of the 'Book of the Dead' " (SD 1:434). These feminine logoi are all correlations of light, sound, and ether. In many aspects Vach approaches Kwan-yin, she of the melodious voice. Sarasvati, the goddess of divine wisdom, is a later form of Vach. The Hebrew Lahgash is nearly identical in meaning with Vach as the hidden power of the mantras, the divine sound. "But Vach being also spoken of as the daughter of Daksha -- 'the god who lives in all the Kalpas' -- her Mayavic character is thereby shown: during the
pralaya she disappears, absorbed in the one, all-devouring Ray" (SD 1:430-1).
Vach is also called Savitri (the generatrix), the mother of the gods and of all living. She is identical in the human range with Eve, who is also called the mother of all living. Ila or Ida is but the second repetition of Vach in a different period of cosmogony. Vach refers to the cosmic and divine theogony, while Ila refers to a later period in the earth's history when the physiological transformation of the sexes took place during the third root-race. In this last sense Vach corresponds with Eve.
Vach is often called Sandhya (twilight), also Satarupa (a hundred forms) to describe the feminine logos unfolded into the ten planes and subplanes of the universe. The cow is a symbol of Vach, for the cow has always been the emblem of the passive generative power of nature.
to be continue "
Vach3 "