[Hindu] In India, he corresponds to the Greek Helios - he is the special god who dwelt in the body of the sun. Surya is described as the husband of dawn, as well as her son. He is also the guardian of the south-west quadrant, His father is the sky god, Dyaush or Indra. One myth tells how he arose from the eye of the world-giant, Purusa. Surya has golden hair and golden arms. He drives in a chariot drawn by a team of 4 or 7 horses.
Surya (Sanskrit) The sun, its regent or informing divinity; in the Vedas, the sun god, the most concrete of the solar gods, generally distinguished, at least in name, from Savitri and Aditya. He was regarded as one of the original Vedic triad: Indra or Vayu presiding over the atmosphere; Agni, over the earth; and Surya, over the space of the solar system. In Vedic literature, Surya is also called Loka-chakshuh (eye of the world). He is considered the son of Dyaus, the cosmic spirit -- pictured as the spatial extent of cosmic mind -- and of Aditi (space). He is represented as moving through the celestial sphere in a chariot drawn by seven ruddy horses or by one horse with seven heads, referring to the seven principles or elements of the solar system, or to his own seven principles as a unit with their seven different logoi or heads; or the former refers to the seven logoi as manifested in the regents of the seven sacred planets, the latter to their common origin from the one cosmic element, often figuratively called fire (SD 1:101).
In later mythology Surya is particularly identified with Savitri as one of the twelve adityas of the sun in the twelve months of the year, and his seven-horsed chariot is described as driven by Aruna (dawn). Surya was represented also as the husband of Sanjna (spiritual consciousness, cosmic or human), and the offspring of Aditi (space), mother of all the gods. One legend represents Surya as crucified on a lathe by Visvakarman -- his father-in-law, the creator of gods and men, and their carpenter -- and having an eighth part of his rays cut off, which deprives his head of its effulgency, creating round it a dark aureole -- "a mystery of the last initiation, and an allegorical representation of it" (TG 313).
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