The
trobairitz were
Occitan female
troubadours of the 12th and 13th centuries, active from around 1170 to approximately 1260. The word
trobairitz was first used in the 13th-century
romance Flamenca. It comes from the Provençal word
trobar, the literal meaning of which is "to find", and the technical meaning of which is "to compose". The word
trobairitz is used very rarely in medieval
Occitan, as it does not occur in lyrical poetry, grammatical treatises, or in the biographies of the
trobairitz or
troubadours.
Trobairitz composed, wrote verses, and performed for the Occitan noble
courts. They are exceptional in musical history as the first known female composers of Western
secular music; all earlier known female composers wrote
sacred music. The
trobairitz were part of courtly society, as opposed to their lower class counterparts the
joglaressas. Although troubadours sometimes came from humble origins—
Bernart de Ventadorn may have been the son of a castle's baker—the
trobairitz were nobly born. The most important
trobairitz are
Alamanda de Castelnau,
Azalais de Porcairagues,
Maria de Ventadorn,
Tibors,
Castelloza,
Garsenda de Proença,
Gormonda de Monpeslier, and the
Comtessa de Diá.